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Little by little, with the arrival in the second half of the 1980s of innovative directors, the “masala” films were endowed with more elaborate scenarios, proposing innovative themes. These new films, like Nayakan by Mani Ratnam and Ijaazat by Gulzar, both released in 1987, or Parinda by VidhuVinod Chopra, released in 1989, benefit from a Western-style realization, which gradually makes the Indian public more demanding. The biggest success of 1992 is a Tamil film by Mani Ratnam, dubbed in Hindi: Roja . His main subjects deal with terrorism and the thorny problem of Kashmir, with a woman as the main character. This film is a real shock in Bollywood, where we gradually realize that a colossal success at the box office is no longer necessarily linked to the traditional and recurring “clichés” of popular musical films. At the new-movies123.com you can find the best choices now.
Other films of a new genre continue to see the light of day.

Rangeela, released in 1995, and Satya , released in 1998, inaugurate an aggressive, dark and realistic style, which gradually becomes the …








